Being able to enjoy economic stability and attaining several world class accolades for various infrastructures like the ERP, Changi Airport, transportation systems, easy access ports and relatively low crime rate.
Having achieved that, Singapore is now moving on to the pop culture aspect of nation development.
With the Integrated Resorts arriving in 2008/9, it is small wonder that by opening up the entertainment lifestyle amenities would definitely propel Singapore on the world map, especially more so as we are a land and resource scarce nation. With entertainment on the forefront, Singapore could very much become the entertainment Capital of the East, with Ibiza being the counterpart in the West.
The entertainment in Singapore comes in various diverse forms and it is defintiely uniquely Singaporean.
It's east meets west and everyting in between.
With Zouk spearheading the dance music and affirming to the love and passion that the founder stood by, Singapore is, safe to say, more well versed in this aspect , than other Asian countries, which equates dance music to taking drugs. Having ascertained and built a solid foundation with its quirky brand of marketing, campaigns and definitely stellar line up if DJs, which was unheard of, just 5/6 years back, this move converted Singaporeans into a nation of well informed and in-the-loop of the international music scene. Fast forward to 2007, the first breed of clubbers have grown beyond and thus spawned thousands of others who appreciate the presence of both International and Local DJs.
And all this set the stage for the bigger things to come.
Built on francishes, MOS and The Cannery is making use of well-known clubs, to create a desire and demand for clubbing. Scattered among several places, watering holes, pubs, smaller clubs, existing party goers are comfortable in thier own niche and not willing to explore, thus creating a stagnant scene for the nightlife. Plus, there are still a large percentage of the population out there whom are not partying at all, due to comfort level and the stereotypical mindset of clubbing. With international appeal and assurance, MOS and the clubs at The Cannery, created a sense of curiosity and desire for both existing and virgin clubbers, who wants a piece of the action, thus drawing a new breed of clubbers into the open, making it a vibrant, albeit a little diverse crowd, upping the ante on the clubbing scene.
It is a true ' Battle of the Titans' as one National Paper put it, when St James Powerhouse, touted as one of Singapore's largest entertainment complex is due to open. Realising the potential of the Chinese market, and the multi cultural needs of both local and international clubbers and party goers, the evolution seemed almost, long overdue. Going beyond the BOS, St James is a one-stop, non stop entertainment complex with almost every form of clubs, KTV, lounge, chill out place and live entertainment. Not wanting to go into the foray with existing market leaders, giving them a run for their money with a revamped Chinois meets Canto meets Beyond 97 concept in the form of Dragon Fly, St James has hit the right note with the, perhaps most high spending crowd in Singapore.
With such a variety of entertainment, I would safely say, apart from being part of a globalisation, Singapore's entertainment/nightlife scene is localised as well and the inclusion of quality live acts, is definitely pushing the envelope in terms of making Singapore an entertainment capital, as well as pretty darn good economic sense.
The potential of the nightlife scene in Singapore has yet reached its full potential and I should say that there is still the longtail of it which spans across wider age range, more diverse acts, and of course, more realistic ' Crazy Horse' acts.
Overall, Singapore is definitely a country to be reckoned with in the world of entertainment